Buy the CD DRESDEN

The CD can also be bought from me: simply write me an e-mail. I’ll also autograph it if you want. Along with the invoice, it will be sent to you by the post (€19,95 including shipping costs). I sell the CDs for €18 at the concerts.

 

Otherwise, they can be bought at the online shop of

 

at the stores:

  • Ludwig Beck in Munich
  • Opus 61, Sweetwater in Dresden

 

and digitally from:

Buy the CD Rejuvenation

The CD can also be bought from me: simply write me an e-mail. I’ll also autograph it if you want. Along with the invoice, it will be sent to you by the post (€19,95 including shipping costs). I sell the CDs for €18 at the concerts.

 

Otherwise, they can be bought at the online shop of

 

at the store:

  • Ludwig Beck in Munich

 

and digitally from:

FLORIAN BRANDL QUARTET

Dresden

 

Florian Brandl trumpet, comp.

Sam Hylton piano

Rene Haderer bass

Matthias Gmelin drums

 

Timezone TZ1761

Rejuvenation

 

Florian Brandl  trumpet

Josef Ressle  piano

Rene Haderer  bass

Shinya Fukumori  drums

 

Timezone TZ419

Music Name

buy cd

Music Name

buy CD

DUO BRANDL–RESSLE

Florian Brandl trumpet

Josef Ressle piano

 

Florian Brandl and Josef Ressle form a purely acoustic duo playing energetic and expressive jazz of their own color. They leave a lot of space for spontaneous interaction, knowing each other well from having worked together in Florian Brandls quartet for years. Concentrating mainly on original material they incorporate individually arranged jazz standards and completely free passages without net and double bottom using their wide horizon from classical music to jazz and pop.

 

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Florian BRANDL Solo

Florian Brandl

trumpet, electronic instruments

 

Due to the Corona pandemic I finally found the time and patience to realize a one man live solo act, a wish I had carried around for a long time. Synthesizer, drum machine, loop station, effects and electric piano enrich my playing on the trumpet with a modern, technoid sound. A certain beat of the drum machine and a sequence of the synthesizer are the centre most of the time—based upon that I'm building up melodic loops with the trumpet etc. while allowing lots of space for spontaneity and improvisation.

Working mostly in huge ensembles and as a sideman I appreciate flexible opportunities for live gigs with that solo format and I take the chance to let the music flow in my own distinct voice.

 

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